Analysis of sculpture of akhenaten

Analysis The figurine has numerous intriguing and characterizing characteristics. This is something unique only to Akhenaten sculptures and not even found in all. Also, this use of curvy lines on the neck pieces could give the viewer a sense that Akhenaten and his wife Nefertiti are both very fortunate and admired individuals.

Despite being the one giving the offering, the vertical line in the figure preserves the glory of the subject. Drama The situation created in the sculpture is clear — an offering. He even changed his name to Akhenaton to signify his loyalty to the god Ibid.

This emphasis on family relations was intended to show the ruler of Egypt as more interested in day-to-day activities and the brief moments of life rather than the eternal nature of his reign as his predecessors stressed.

Akhenaten Statue Analysis Introduction Akhenaten was the first pharaoh to insert the notion of monotheism, the worshipping of only one god, as are against to polytheism, the worshipping of numerous gods.

His haste was to the relief of the Egyptian people, but to the incredible disappointment of modern Egyptologists Analysis of sculpture of akhenaten art historians. Because often times happiness and love are associated with bright colors and the golden-yellow limestone definitely expresses this on the art piece.

The Egyptians were a very religious people as can be seen in their artworks like paintings and sculptures that are mostly related to religious figures and rites. His artists attempted to focus on creating a more genuine vision of the pharaoh, breaking away from the traditional stationary depictions to show movement and emotion see Figure 3 for comparison.

With this new belief, depictions of Akhenaten were further distanced from images of the past as his role became more submissive to the will of the god, and thus his depictions were less leadership based.

The youthful appearance can be attributed to the plumpness of the face and the light color of the material. Egyptian sculptures are normally characterized with symmetry.

The sculpture of his figure is just one of the sculptures about him, but this sculpture emphasizes the kind of Pharaoh that he was. The pharaoh Amenhotep IV not only changed his name from Amenhotep to Akhenaten, and the religion of ancient Egypt from polytheistic to monotheistic, but he also challenged the norm of Egyptian society by depicting his reign in a vastly different way from the rulers who came before him.

Ancient Egyptian civilization was a great civilization knowledgeable in medicine and perhaps even in anatomy. It does not alter much in width. However, with this art piece I believe that it gives further emphasis to illuminated object above them shining down.

The advantages of polymer when compared to concrete, cast stone, and cement are that it is far less fragile and much more resistant.

This is not only because of the prevailing style of the artists, but also mainly because it was the law Aldokkan. These details included in the art introduced a new sense of realism that had not been present in the past.

Conclusion Egyptian sculpture has it uniqueness and these unique qualities make Egyptian culture all the more worth our attention.

Formal Analysis Style Most Egyptian sculpture of pharaohs and gods are either standing or sitting on a throne Aldokkan. Again, this assists to convey aim to the odd characteristics utilized in the statue Velikovsky, Images of Akhenaten did not exude the strength of rulers past, making it all too easy to differentiate his images from those of his predecessors.

It cannot withstand strong impact or shock in case it drops because of handling from one place to another of in case accidental collisions take place. The shape of the pyramids has something to do with their worship of Amon-Ra. Pharaohs were always depicted clothed, though the clothes may no cover the whole body.

This makes any individual desire to gaze right back at it.Akhenaten was known before the fifth year of his reign as Amenhotep IV (sometimes given its Greek form, Amenophis IV, and meaning Amun is Satisfied), a Pharaoh of the Eighteenth dynasty of Egypt, ruled for 17 years and died perhaps in BC or BC.

(Picture from Akhenaten: The Heretic King, by Dr.

Sculpture of Akhenaten Paper

Donald Redford) This statue from Akhenaten's temple at Karnak is the three-dimensional equivalent of the relief above. Oct 12,  · Formal Anaylsis of Akhenaten and his family's sunken relief art piece Formal Analysis of Akhenaten and his Family Sunken Relief Sculpture The choice of color used in this art piece goes very well with what is being expressed here.

Akhenaten Statue Egyptian Pharaoh Sculpture

In addition, analysis of Akhenaten’s supposed son Tutankhamun reveals no sign Froehlich’s syndrome in the family line, even though small indicators of the Amarna art style, such as the protruding belly, remain present within the statuary of Akhenaten’s immediate successors.

The sculpture of Akhenaten has the usual characteristics of Egyptian sculpture. Anatomically the figure has an awkward large head that is not proportional to the short and rather stout body.

Aside from the large frame of the head, there is also a headdress as big as the head that makes the head look a lot bigger and the body shorter. Akhenaten The Sculpture of This sculpture, was found at the Temple of Karnak around It was scructured to look like the Pharaoh of Egypt's 18th Dynasty, Akhenaten.

He was originally named Amenhotep IV, but after getting the throne after his father, Amenhotep III, he changed his name to Akhenaten, meaning, "Aten is satisfied".

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Analysis of sculpture of akhenaten
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